Cella della Madonna, 1437 (called the cemetery), votive chapel commissioned by the bishop Giovanni Seclani in 1437

Completely frescoed by one of the most famous painters of that period, Antonio Alberti, originally from Ferrara but long since residing in Urbino. In the back wall, scenes of the Annunciation and the Madonna in Throne are painted. All around are represented the Adoration of the Magi, the Presentation in the Temple and two groups of saints, 6 holy men and 6 holy women, the most revered in the territory. The four Evangelists are painted in the cross vaults and the Doctors of the Church appear in the corners. In a few square meters there is a large part of the history of the universal Church, in an extraordinary visual document, conceived and created between the end of Gothic art and the beginning of Renaissance painting.